#Best External Sound Card 5.1 How To Instal Before#

Best External Sound Card 5.1 How To Instal Before

Besides, it just so happens that an external sound card is a kind of application for professionalism.Today's rating is dedicated to just such devices вЂ“ external sound cards. Plus, there is an established opinion that more reliable and high-quality hardware is installed in external devices.An indisputable point in the properties of external video cards is that they load the central processor and other key computer modules much less than internal discrete or integrated ones. The logic here is quite obvious: a separate external device is more stable, not subject to electrical failures in the computer itself, has more opportunities (corny more space on the case) to connect other devices, control means can be physical, not software, and so on. Rating of the best external sound cardsWhich sound card is better external or internalIn a semi-professional environment, there is an opinion that вЂњeverything external is better than internal.вЂќ This is somewhat exaggerated, but conveys the general mood. This instructable will show how to instal Before I bought it, I researched how good is its Linux support.It was promising so I bought it.

Why the built-in sound card in your computer is not enoughFor the majority of internal and, moreover, built-in sounds, numerous limitations are inherent. Let's try to briefly understand. But still, what's wrong with the built-in sound cards? Whom and why they may not suit. How to choose an external sound cardAs with most electronics of almost any kind, with external sound cards the situation is very similar: models, form factors, service obligations, drivers, and other things abound.

We will divide the entire available assortment into three conditional groups. In addition to all of the above, the internal sound card additionally loads the processor and computer memory, while the external one has its own key electronics.Almost any external sound card is completely devoid of all of the above disadvantages.Of course, external вЂњsoundвЂќ is far from such a device that you can buy anywhere literally вЂњaround the cornerвЂќ, but still it is not uncommon. sensitivity to the behavior of the internals of the system unit up to the noise of the cooler direct dependence on computer performance glitches, pickups, background noises, signal delays only one source can be incoming at a time

The cost of such a device is estimated at thousands of dollars, and only a studio can really afford it, and even then not every one in a row. And it may also be appropriate to combine several devices into one: a typical example is the RME Fireface UCX and RME Babyface PRO tandem, which even has a separate name. So that this device does not even turn out to be called a sound card. To be as brief as possible, for studio use, and not for individual use, you will need a serious external device with many settings, functions and 'gadgets'. Let's start from the largest to the smallest.

This is a professional, multifunctional, easily scalable device that connects to a computer via a USB port (including the third generation), and has all (numerous, by the way) controls and indicators right on the case. Rating of the best external sound cards NominationLet's start with a device that can be called a sound card only with a stretch, in a good way. For your convenience, we have sorted all the devices by approximately the average market value. In addition, in external sound cards, 6mm connectors or xlr connectors are absent as a class, and without them in the studio, nowhere.Experts have selected nine models of external вЂњsoundвЂќ for you, guided by considerations of their capabilities, functionality, purpose and price availability. If you work in a studio and record more or less professional sound, it will be extremely inconvenient for you to 'play' with the software sound settings. Another important point is regulators, interfaces and additional functions.

many interfaces focused on professional technology Built-in phantom power function.Remote control modules (basic and advanced) can optionally be included in the kit, but more often they need to be purchased separately. EAX support is not implemented.Possibility of connection via the FireWire port is provided. There are MIDI interfaces for input.Compatibility options with various technologies and standards are as follows: support for ADAT, external sync, AES / EBU, ASIO standard version 2.0. There is also a Hi-Z instrument input, coaxial input and output. The power supply is included separately in the package with additional accessories and a 12-month warranty card.This sound module supports broadcasting of multichannel audio, the DAC bit rate is 24 bits, the maximum DAC frequency in stereo mode is 192 kHz.The device has ample opportunities for working with analog equipment both for input and output: eight output analog channels, the same input analog channels, two input XLR connectors, eight input connectors 6.3 mm, one separate headphone output.

Four analog input channels, two microphone inputs and two XLR connectors (input). There are four analog output channels, two separate headphone outputs. The bit depth of the DAC in this case is 24 bits, the upper limit of the DAC frequency in stereo mode is 192 kHz.The connection options for instruments and other devices with this sound card are as follows. It connects, like the above model, via a universal USB port. only 'prohibitive' price, but given the level of the product, this is a dubious drawback.Our rating is continued by another professional device, but already much more user-friendly, and at half the price.The sound card is housed in an elegant aluminum casing with two metallic colors with smooth curves.

This device is even slightly cheaper than the previous one and even slightly simpler. spotty, sporadic nagging on the part of professional users.The third number in our review is an external audio interface manufactured by the American specialized company MOTU. availability in development and management EAX support is not provided.The device can be powered via the USB bus (compatible with USB 3.0) or by means of an autonomous power adapter.The delivery set of the device includes a carrier with proprietary software TotalMix FX with versions for Mac OS, Windows and iOS Advantages

So, you can easily connect to it a professional microphone, guitar, synthesizer, various digital devices, and synchronously control the mix to the center output using four physical knobs. All six inputs are concentrated on the front panel for easy mixing. Initially 'sharpened' for Mac or PC.

From the same front panel, you can easily adjust the input levels.The rear panel is used to accommodate outputs and inputs MIDI, S / PDIF, input for various physical keyboards or manipulators programmed from a computer, such as a foot controller.Audi o Express MOTU needs additional power supply, can operate autonomously without a computer, capable of multi-channel audio output, suitable for both studio use and stage.